SCOT COTTERELL
Scot Cotterell is a mixed discipline artist known for his works concerned with the experience of mediated environments. His work uses mixtures of sound, video, images and objects in gallery and live contexts to create experiences that reflect upon cultural phenomena.
Scot Cotterell is a mixed discipline artist known for his works concerned with the experience of mediated environments. His work uses mixtures of sound, video, images and objects in gallery and live contexts to create experiences that reflect upon cultural phenomena. Scot holds an MFA from the University of Tasmania School of Art and has been nominated for the Qantas Foundation Contemporary Arts Award, The Alice Springs Art Prize and awarded the Shotgun 2010 commission by Detached Cultural Foundation and CAST, a Sound Travellers national touring grant, and several state and national funding supports through the Australia Council for the Arts and Arts Tasmania including projects in the Netherlands, Germany and Spain. Scot has also received the Jim Bacon Foundation Honours Scholarship, and Australian Post-Graduate Award Scholarship and a Gordon Darling Foundation professional development grant. Cotterell’s work has been performed and exhibited nationally and internationally.
In addition to his gallery practice Scot has chaired Hobart’s influential Artist-Run Space Inflight, sat on the boards of Contemporary Art Services Tasmania, The Plimsoll Gallery Committee, and the advisory panel for We Are Here International Artist-Run Initiative Symposium. Scot has been state representative for the ElectroFringe festival and has written commissioned essays and reviews for Cyclic Defrost, Devonport Regional Gallery and Wyndham Regional Gallery. Scot has curated exhibitions and releases for CAST Gallery, Boiler Room: National Improvisation Laboratory and The Academy Gallery UTAS, and co-curated exhibitions at BUS Gallery, The Plimsoll Gallery and Inflight ARI.
Organ Donor, Participatory performance Installation, collaboration with DJ Tr!p. Commissioned by Mona Foma for MF, 2022. 50 collected unwanted electronic organs installed in-situ in a colonial ballroom.
Paper Speakers, Series of sound sculptures made in residence at Jam Pavilion for Bangkok Biennial. Supported by Arts Tasmania. Cardboard, field recordings, electronics. 2018.
Shitstorm (Compromised Version), 2016 Installation comprising multiple corflute signs in 2 sizes. Installed on the building facade top level from 0200hr 08.06.16 until 0700hr 10.06.16 Relocated to Gallery hastily. Commissioned by UTAS for Dark Mofo 2016
Energetic Bone. From A gigantic etching of an eagle and a sparrow, Penny Contemporary 2015. From a series of 16 single edition text works made using semi-generative text engines.
Data Retention, 2023. Collage on board. 30 x 40cm. From the series 13 Collages.